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Untitled (blue)
© » KADIST

Chris Duncan

Painting (Painting)

Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.

Half Blue
© » KADIST

Joe Namy

Installation (Installation)

Joe Namy’s Half Blue is an installation consisting of a video, a sound, and a sculpture, that triangulates a personal experience of the artist’s cousin Khalid Jabara, who was murdered by hate crime in Tulsa, Oklahoma, U. S. A in 2016. An event that garnered international attention, Jabara’s murder led to the Jabara-Heyer NO HATE Act passed by US Congress in 2021. The act was named after Jabara and Heather Heyer, two hate crime victims whose murders were prosecuted as hate crimes but not reported in hate crime statistics.

Blue Elbow (Coude Bleu)
© » KADIST

Jumana Manna

Sculpture (Sculpture)

Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .

I Am Blue, 1
© » KADIST

American Artist

Sculpture (Sculpture)

From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.

Pop (blue time)
© » KADIST

Saâdane Afif

Installation (Installation)

Blue time is a song co-written by artists Saâdane Afif and Lili Reynaud Dewar. Collaborations are frequent in the work of the Afif, as is the case of the exhibition “Lyrics” which opened at the Palais de Tokyo in 2005, in which Saâdane Afif asked artists and musicians to translate his artworks into song lyrics and interpret them. The lyrics written on the wall produced a silent story, in a musical way that remains implicit (unlike certain installations by the artist where lyrics can be heard on headphones).

Man with Blue Tie
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

Painting (Painting)

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.

Head-Portrait with Red and Blue Background
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke
© » KADIST

Andrew Norman Wilson

Film & Video (Film & Video)

Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank. The video utilizes transparency and opacity effects in multimedia software to question the perceptibility of finance. It offers a complex metaphor (toxic assets, emergency flares, house/mortgage on fire) about the financial sector and the effects of the ‘crisis’ that led to the disappearance (and the ghostly memory) of many local and regional banks.

Dancing Free I
© » KADIST

Jarrett Key

Painting (Painting)

Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.

20
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

11
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

1997 – The Brute Force ("The Unmanned" series)
© » KADIST

Fabien Giraud & Raphael Siboni

Film & Video (Film & Video)

– In which defeated he leaves the scene and the stage is left in search of its scale – Second episode of The Unmanned series, “The Brute Force” reconstructs the minutes following Garry Kasparov’s defeat against the IBM Deep Blue computer on 11 May 1997. A camera with computer-programmed movements scrutinises the elements of an empty setting after the chess champion has left the scene, thus abandoning it to the disproportion of a world without its own scale.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Stamp -X, Stamp -Y
© » KADIST

John Houck

Photography (Photography)

John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements. Stamp -X, Stamp -Y consists of a careful collage of uneven scraps of paper. On their versos, these fragments of blue, white, and manila papers hold the artist’s childhood stamp collection; turned as they are, these shards of envelope become planes of colors that Houck manipulates in a vaguely grid-like fashion.

Something to Do with Being Held
© » KADIST

Jordan Ann Craig

Painting (Painting)

Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.

Central Station
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.

Dislocation Blues
© » KADIST

Sky Hopinka

Film & Video (Film & Video)

Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota. Working against grand narratives and myth-making, Hopinka attempts to provide a clear look towards the participants of the protest movement and the protectors of the water – their testimonies, reflections, and histories. In the film, Cleo Keahna tells about the everyday life of the camp and its difficulties and Terry Running Wild shares his dreams for the future.

Too fragile to handle it without
© » KADIST

Tirdad Hashemi

Drawing & Print (Drawing & Print)

The Blue Poisoning series , reveals the outcome of artist Tirdad Hashemi’s weary and depressed days in the winter of 2022, following their second migration from Paris to Berlin. The color blue expresses the feelings of sadness and loneliness felt by the artist in the frozen Berlin cold. In the drawing, lonely and tormented bodies seem to struggle to live; despite their suffering, they still hope.

Untitled (Men)
© » KADIST

Matt Lipps

Photography (Photography)

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.

Radical Hospitality
© » KADIST

Andrea Bowers

Sculpture (Sculpture)

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.

Periquitos (Parakeets)
© » KADIST

Marepe

Sculpture (Sculpture)

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture. Periquitos (Parakeets, 2005) is a cartoonlike giant television with a screen made of four vertical strips of blue, yellow, green, and red acetate. There is a recurring figure on the screen, which is taken from a photograph of the artist at age six.

Megan and Hazel Sue at Creekmore House
© » KADIST

Carolyn Drake

Photography (Photography)

Megan and Hazel Sue at Creekmore House by Carolyn Drake is from a series of works titled Knit Club . For this project, Drake collaborated with an enigmatic group of women in Mississippi who loosely call themselves “Knit Club”. The subject matter of this photograph centers on the relationship between the girl and doll in the painting, and the woman and girl in the photograph.

The End
© » KADIST

Dennis Adams

Photography (Photography)

Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York. The artist was only able to identify the objects after developing and enlarging the prints: you can read “He’s no terrorist”. The front page of the newspaper thrusts back to ‘the event’ of the 21st century and is revealed only through the detailed observation of the image; the painful twist of the newspaper could be a rustling wing.

Untitled
© » KADIST

Tessa Mars

Painting (Painting)

In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience. Drawing on her interest in retelling stories of her native country, and confronting the past and the present, Mars portrays her cultural essence and heritage by imagining spiritual spaces that connect people and land across time. With a pictorial practice that highlights pastel colors, the divinisation of the figures on the canvas and the spiritual elements within the composition ultimately enhance the narrative of her Caribbean ancestry while conflating the distinctions between autobiographical and historical events.

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

Installation (Installation)

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube. The work refers to the positive occupations of space and the absence of form and structure, to the relationship between the visible and the invisible, to memory, and to the relationship we have to images and to our history. The work refers to childhood, biography and learning to question how meaning is made and how history is remembered and performed.

Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

Photography (Photography)

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.

City Song of Rug
© » KADIST

Nora Schultz

Installation (Installation)

Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.

Landed / Untitled XII (orange string)
© » KADIST

Moshekwa Langa

Painting (Painting)

Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space. Through the combination of ready-found materials with drawing, in the case of “Landed / Untitled XII (orange string)”, employing string, Moshekwa’s creates tension lines across the image, both physical and metaphysical to explore the traumatic events of South Africa and more specifically the passing of his grandmother. Referencing gestural painting of the 1940s and 50s, “Landed / Untitled XII (orange string)” is a disfigured and layered mapping of both the African and psychological landscape.

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Marwan Rechmaoui

Moshekwa Langa

The oeuvre of Moshekwa Langa (b...

Chris Wiley

Runo Lagomarsino

Ryan Gander

Dennis Adams

Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...

Firenze Lai

Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...

Marepe

Robert Therrien

Masaya Chiba

Masaya Chiba utilizes painting, sculpture, and installation to create dreamlike works that respond to Surrealism traditions while also exploring the limits of representation and translation...

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Mandy El-Sayegh

Beginning with rigorous research and resulting in a wide range of media, from layered paintings, to installation, diagram, sculpture, sound and video, El-Sayegh’s work is about systems of bodily, linguistic and political order among others, and their disintegration...

Truong Cong Tung

Truong Cong Tung produces work that can be located amongst an aesthetic realm outside of reason or sense...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Duane Linklater

Duane Linklater addresses issues of cultural loss and recovery, as well as appropriation and authorship articulated through sculpture, installation, photography, film, and video...

Tessa Mars

Tessa Mars delves into Haitian history, her primary source of inspiration, to unveil a colourful and provocative universe that she wishes to reclaim...

John Houck

Jarrett Key

Jarrett Key’s work addresses their concerns about the state of their freedom in America...

Alexandre da Cunha

Matt Lipps

Tirdad Hashemi

Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...

Paulo Nazareth

Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...

Jordan Ann Craig

Jordan Ann Craig is a Northern Cheyenne artist born and raised in the Bay Area; she invests her work with a strong interest in Indigenous culture and the history of its destruction by settlers...

Sky Hopinka

Sky Hopinka is from the Ho-Chunk Nation/Pechanga Band of Luiseño Indians...

Ruijun Shen

Ruijun Shen conceptualizes her painting-based practice as a form of extended meditation and a means of processing tensions between time and space in the world around us...

Andrew Norman Wilson

Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...

Sriwhana Spong

Indonesian-New Zealand artist Sriwhana Spong’s practice invests in notions of transition, memory, translation, and the relationship between public and private space, the intuitive and the cerebral, and the body and its surroundings...

Sable Elyse Smith

Sable Elyse Smith is an interdisciplinary artist, writer, and educator based in New York and Richmond, Virginia...

© » TATE EXHIBITIONS

about 3 months ago (02/12/2024)

Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...

© » ARTSJOURNAL

about 3 months ago (02/12/2024)

Happy Birthday to the “Worst Masterpiece” | Unanswered Question Skip to main content Skip to primary sidebar February 12 marks the 100 th birthday of Rhapsody in Blue ...

© » KQED

about 3 months ago (02/06/2024)

New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Free Mochi Pizza For National Pizza Day? Yes, Please Alan Chazaro Feb 6 Save Article Save Article Failed to save article Please try again Email A new Peninsula pizzeria believes mochi and pizza are the perfect combination...

© » HYPERALLERGIC

about 3 months ago (02/05/2024)

John Steuart Curry: Weathering the Storm Skip to content John Steuart Curry, “Tornado Over Kansas” (1929), oil on canvas, (46 1/4 × 60 3/8 inches) “Tornado Over Kansas” (1929) is an iconic image in United States pop culture, but few people know its creator, John Steuart Curry, whose paintings of picturesque landscapes, communal gatherings, and devastating natural disasters have defined the country’s perceptions of the American Midwest since the late 1920s...

© » COLOSSAL

about 5 months ago (12/17/2023)

Brazilian artist Rafael Silveira supplants heads with bunches of flowers, flocks of birds, and plumes of smoke in fantastical portraits that delve into the inner workings of the human psyche...

© » OBSERVER

about 5 months ago (12/12/2023)

A $1M Scholarship Fund Honors Late Artist Mike Kelley | Observer The late Mike Kelley, renowned for his influential multi-media explorations of memory and transgression, was more than an artist...

© » GALERIE MAGAZINE

about 5 months ago (12/11/2023)

7 Extraordinary New Watches to Gift This Holiday Season - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe 7 Extraordinary New Watches to Gift this Holiday Season Photo: courtesy of the respective brands 7 Extraordinary New Watches to Gift This Holiday Season These eye-catching and colorful timepieces are sure to impress even the most discerning recipient By Lucy Rees December 11, 2023 From Richard Mille’s Memphis-inspired collection to Omega’s stunning constellation watch with bold Aventurine blue stone, these artful watches are guaranteed to stand the test of time this holiday season and beyond...

© » HYPERALLERGIC

about 5 months ago (12/07/2023)

The Emotional Architecture of Swoon’s Intimate Block Prints Skip to content Caledonia Curry (Swoon), “Sasu and Kasei 3” (2022), coffee-stained block print on mylar with hand painted acrylic and gouache embellishments, 90 x 62 inches (all photos Lynn Trimble/ Hyperallergic ) MESA, Ariz...

© » SLASH PARIS

about 5 months ago (11/29/2023)

Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Paul Lepetit — Not so Blue Exhibition Mixed media Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Ends in 12 days: November 24 → December 23, 2023 The Skogyrkogarden Cruise: Rambling in the Lands of Sexual Dissidence “Be proud and happy of what your body exults...

© » SLASH PARIS

about 5 months ago (11/29/2023)

Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Paul Lepetit — Not so Blue Exposition Techniques mixtes Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Encore 12 jours : 24 novembre → 23 décembre 2023 L’exposition Not so Blue de Paul Lepetit aux Bains-Douches d’Alençon est présentée dans le cadre de « maintenant et demain 2023 » programme de résidence et exposition mis en place par le Conseil Départemental de l’Orne et Les Bains-Douches...

© » SOMETHING CURATED

about 5 months ago (11/27/2023)

Interview: Roberto Gil de Montes on Huichol Art and the Chicano Movement - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 27 Nov 2023 - Share Born in Guadalajara, Mexico, Roberto Gil de Montes immigrated to the United States with his family at the age of 13, settling in East Los Angeles shortly before the 1968 Chicano protests for educational equality...

© » BOMB

about 7 months ago (10/12/2023)

BOMB Magazine | Raj Tawney Necessary (Required) Cookies that the site cannot function properly without...

© » ARTNEWS REVIEWS

about 7 months ago (10/11/2023)

A Quiet Luxury Vibe Pervades the Art in LA’s Blue-Chip Galleries – ARTnews.com Skip to main content By Janelle Zara Plus Icon Janelle Zara View All October 11, 2023 1:00pm Steve McQueen’s sculpture, Moonlit (2016), inaugurates Marian Goodman’s luxuriously spacious new Hollywood gallery...

© » ART21

about 8 months ago (08/24/2023)

Press Release: Art21 Hosts Its Inaugural “Art21 at the Movies” A Fusion of Film and Contemporary Art | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 7:29 Add to watchlist Interrupting the Broadcast Paul Pfeiffer Extended Play October 4, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

© » HUFFINGTON POST

about 9 months ago (07/24/2023)

Artist Martin Grasser, who helped design Twitter's iconic bird logo, said the symbol "did so much" since it was launched in 2012....

© » LENS CULTURE

about 11 months ago (06/06/2023)

Endless Forms Most Beautiful - Photographs by Janelle Lynch | Essay by Joanna L...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Who Bought Elizabeth Peyton’s $2.1 Million David Bowie Portrait at Sotheby’s? This NFT Collector Diversifying Into Blue-Chip Art - via artnew news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Treasures From the Blue-Chip Art Collection of Texas Oil Heiress Anne Marion Could Fetch $150 Million at Sotheby’s - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Over the course of 40 years, Alvin Hall has amassed a trove of blue-chip artists merely by trusting his eye....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Phoebe Saatchi Yates, daughter of noted collector Charles Saatchi, has announced plans to open a 10,000-square-foot gallery in London that will exhibit the work of “unknown” and “unseen” artists...

© » ARTS EQUATOR

about 25 months ago (04/01/2022)

How Art And Culture Podcasts Are Sweeping Through Singapore Skip to content Podcasts are everywhere these days...

© » PIER 24

about 31 months ago (10/24/2021)

Pier 24 Looking Back reviewed in The Potrero View - Pier 24 Looking Back reviewed in The Potrero View October 24, 2021 This month’s issue of The Potrero View featured a review of Looking Back by arts critic, Max Blue...

© » ARTS EQUATOR

about 43 months ago (10/06/2020)

Transcultural Lullabies: Rohingya and Malay folksongs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 6, 2020 Rohingya poet Mayyu Ali and Malaysian artist Sharon Chin collaborate in this meaningful project that looks at Rohingya and Malay lullabies and folksongs...

© » ARTS EQUATOR

about 53 months ago (12/18/2019)

Weekly Southeast Asia Radar: UNESCO honour for Pencak Silat; Saigon car crash | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Khun Vannak December 18, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 57 months ago (09/01/2019)

Podcast 64: The Orange Production 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gabriel Chia September 1, 2019 Duration: 37 min In this latest podcast, ArtsEquator editor Nabilah Said and theatre reviewer Naeem Kapadia discuss the productions We Were So Hopeful Then (written by Ellison Tan and directed by Alvin Tan) and Acting Mad (with texts by Haresh Sharma, Harris Albar and Maryam Noorhimli and directed by Haresh Sharma), presented as part of The Orange Production 2019 by The Necessary Stage...

© » KUMI CONTEMPORARY JAPANESE ART

about 70 months ago (07/28/2018)

We’re thrilled to offer a new Takashi Murakami’s gem titled Vapor Trail in the Blue Summer Sky...

© » ARTS EQUATOR

about 70 months ago (07/19/2018)

"Press Gang": confessions of yet another ex-ST journalist | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Albert Lim K S July 19, 2018 By Corrie Tan (2,015 words, 10-minute read) “My concern now is how to nurture the critical sensitivity of the playwright, and for that matter theatre and literature and all the other arts...

© » THE RE:ART

about 86 months ago (04/18/2017)

Mobius Gallery: Out of the Blue group show - The re:art Mobius Gallery: Out of the Blue group show Immerse yourself in a blue state of existence, an experience of the absence of time allowing full awareness of the space where all meanings collide, change or quietly fade into nothingness...